The Man in the Wardrobe

My Uncle Paddy was a strange bird, even in the town of Wexford where there were many such characters.

I grew up with him in a big draughty barracks of a house within shouting distance of Selskar Abbey where King Henry II did penance for the murder of St. Thomas Beckett.

Perhaps the bitter ghost of auld Beckett affected us for Paddy and I were in constant warfare.

My grandfather, Thomas Hughes, ruled supreme in our household, likewise in the yard where he and Paddy made headstones. 

Miss Codd, a spinster, was our housekeeper; for most of her life she had performed the same duties for a saintly parish priest and was keenly aware of her precipitous drop in social status.

It was an uneasy household to say the least. My grandfather and Paddy didn’t speak because of some longstanding grievance. 

Add to that the many times Miss Codd wasn’t on speaking terms with any of us either. 

I was my grandfather’s confidant and his go-between to Paddy which gave me a certain amount of power, if not gravitas.

Paddy was a creature of habit and in his leisure time a sharp dresser. He left the house on the stroke of 9 every night for Joe Hearn’s pub where he drank four large bottles of Guinness; most nights he arrived home moments before midnight.

He wore his oldest suit to the yard, sometimes with loose patches on the seat of his pants. This bothered me greatly for as he lolled in front of the fire after work I often bore witness to the flesh of his rump.

One night, wholly as an experiment, I barely touched this unexposed flesh with the tip of the red-hot poker.

Paddy arose from his armchair in the manner of a Disney cartoon character. He turned in mid-air and sought to strangle me but I held him off with the poker – the smell of singed flesh wafting between us.

This, as you might imagine, did little for our relationship. But my story has more to do with Paddy’s momentous brush with the local constabulary over a licensing infringement in Joe Hearn’s.

Joe was a decent man who ran a good house. He was abstemious during regular hours but occasionally invited favored customers to “stay behind” while he locked up.

However, he lost the run of himself and began to hold these soirees more frequently, even worse he boasted about it and word got back to both the guards and the clergy that women too were known to “stay behind.”

It all came to a boil one Easter Sunday morning. The guards raided at the ungodly hour of 2am. Joe being three sheets to the wind refused them entry.

The guards waited patiently and Joe surrendered at 6:32am.

The People newspaper gave a detailed account of the court proceedings. Two of the women represented by legal counsel were “married,” Miss Codd noted, scandalized by such carryon in Catholic Wexford. 

Paddy too had his fifteen minutes of fame. As the revelers streamed out into the street roughly around the same time on Easter Sunday morning that Jesus had arisen from the dead, my uncle crept upstairs to Joe’s living quarters and hid in a wardrobe where he was eventually apprehended large bottle in hand.

The judge at the end of his tirade against the offenders demanded, “what about this man in the wardrobe?”

Paddy declared a truce with me over the poker incident and I was enlisted to apprehend the edition of the People that carried the court proceedings for fear my grandfather would disinherit him.

But Wexford was a small gossipy town and some weeks later my grandfather accosted Paddy behind closed doors; Miss Codd and I overheard bitter roars concerning “married women, “the priests AND the guards,” and “change your ways or take the emigrant boat to London!”

Paddy brooded by the fire for weeks for weeks after but he did change – at least his pub, from Joe Hearn’s to the more up-market lounge of the County Hotel where he continued to down his four large bottles nightly.

He did gain a certain notoriety in our town without pity, for I often heard people remark as he strode along the narrow streets, “There goes The Man in the Wardrobe.”

Live Music in the wake of Covid-19

What kind of world will we inherit when Covid-19 is finally brought to heel? I’ve been asked this a number of times recently – in particular in relation to music, both its performance and the business.

Because those who look at a musician’s world from the outside often see it as vaguely glamorous and self-contained, they often miss how frequently it is impacted by world events.

Within a year of arrival in New York City Turner & Kirwan of Wexford had secured an album deal with Audio Fidelity Records and was enjoying considerable radio play with our first single, Neck & Neck.

Alas after the 1970’s Oil Embargo vinyl was rationed, whereupon our record company suspended operations and our dreams of stardom were put on ice.

Some years later Pierce Turner and I became the nucleus of the New Wave band, Major Thinkers. Our timing left much to be desired for in 1981 we began an Irish Tour in the midst of the Hunger Strikes, most gigs were cancelled and we limped back to New York penniless.

In our absence, however, a track of ours called Avenue B (is the place to be) had become a radio hit and we were signed to Epic Records.

We were on the pig’s back for the next few years touring the country with Cyndi Lauper and UB40; but unbeknownst to us large corporations were busy consolidating independent record companies and radio stations.

Progressive Radio died, and Major Thinkers became a minor casualty of this corporate takeover. 

The rise of Black 47 in the 1990’s has been well chronicled, however in retrospect much of it was fueled by our constant presence in the music and gossip columns of a thriving independent press. 

But this mighty industry was already being supplanted by the Internet and within 10 years few newspapers could turn a profit because of the availability of free news.

9/11 changed the world of music irrevocably. By the time New York City recovered 3 years later most Americans had curtailed their partying to weekends.

This wreaked havoc on national touring as a band driving from NYC to LA had to play at a loss on weekdays and hope to balance the budget with well paying weekend gigs.

Oddly enough Black 47 did well in the immediate post-9/11 years as we were regarded as “New York City’s house band” and greeted everywhere with open arms. This changed quickly in 2003 when we came out against the Iraq War. 

You get the picture – your simple rock & roller is forever at the mercy of world events.

So how will Covid-19 affect music and musicians?

Badly, I’m afraid. The very essence of live music is challenged. Social distancing will kill any kind of gig profitability, while band and audience must now consider the threat of mutual contagion.

Even with a vaccine we’re talking years until people feel safe again in confined spaces. But music is like water – it always finds its own level, and musicians are nothing if not innovative.

If you can’t go to the musician, then the musician must come to you. Take the large numbers who tuned into the recent Irish-American Heavy Meitheal Watch Party In Support Of Healthcare Workers.

Now I know none of the artists participating got into this business to perform for a camera lens. It’s a cold, distant medium but I enjoyed watching my New York peers, and I got to try out a new song for a large, if socially absent, audience.

If I were a young hopeful I’d be setting up a video studio, forming a band called Mask 47 and creating a sight and sound tailored for these dark days. Think Devo with a brogue!

But I have enough irons in the fire. A heads up for pub owners though – unlikely as it seems the humble seisiún is made for our strange new world. 

Point a camera at whatever corner Tony DeMarco, Mary Courtney, Chris Byrne or Margie Mulvihill are playing in, broadcast the session and I’ll be at home watching, pint in hand, enjoying the craic and slyly commenting on the “rare shtyle” of masks being flaunted nowadays. And the message? 

“We will come through this together

We will come through this stronger and better.”

Henry VIII & Donald Trump in a time of pause...

Feel like your life is on pause right now? It’s a stressful, anxious time – fearful too, especially if you wake at 3am with little hope of sleep.

I don’t have a cure but I do have a suggestion – a good book or two or three.

I’m reading two at the moment – wildly different but both engrossing. One, I’d been waiting for a long time, and the other I came upon by accident, more or less.

The Mirror and the Light by Hilary Mantel was worth the wait. If by chance you haven’t read the first two books of her Thomas Cromwell trilogy, I envy you.

Wolf Hall and Bring Up The Bodies were mesmerizing accounts of commoner Cromwell’s rise through the perfidious court of Henry VIII.

It’s hardly letting the cat out of the bag to reveal that we witness his comeuppance in the final book. 

It’s a rare person, indeed, who fared well in Henry’s narcissistic presence – the parallels with the present White House are startling.

Henry is better spoken than our current president and more interesting, perhaps because in his autocracy the Tudor king need only lie to himself.

Whatever your political persuasion you will find yourself rereading paragraphs both for the power of the prose and the sheer thrill of comparison.

You’ll emerge from an hour or so of this book steeped in the fascinating lore and the machinations of Henry’s world; alas when you switch on Fox or CNN you will be catapulted back into a comparable litany of delusion without the buffer of history for protection.

Ask Again, Yes: A Novel by Mary Beth Keane is on more familiar ground – the Irish-American family – but it is no less gripping. 

From the first page you’re enmeshed in the net of this finely honed story and instantly rooting for the well-drawn characters even as you sense their flaws and fear for them.

Then just when you believe you’ve arrived at the core of this interlocking drama of the Gleeson and Stanhope families another twist is introduced and you’re once again skating on dramatic thin ice.

For me this is a story of heredity and what happens to the good and bad we Irish bring with us when dropped into the far larger pool of Irish America. Mary Beth Keane suggests various possibilities all of which are believable - many riveting.

Although as different as chalk and cheese she sometimes reminds me of Edith Wharton, one of my favorite writers. Each has the capacity of ensnaring you within a couple of paragraphs.

Might I suggest any collection of Ms. Wharton’s short stories for these difficult times? You’ll meet a cast of characters well suited to these troubled times. 

I’d recommend Age of Innocence, perhaps her best known novel, but while I love the two women characters May Welland and Countess Ellen Olenska, I’m always disappointed with Newland Archer’s practical but bloodless decision in the final chapter. But then who knows what that says about myself?

I’ve read Ernest Hemingway’s For Whom The Bell Tolls three times now and I’d recommend it to anyone. It’s a terrific story of the Spanish Civil War. It’s also about the power of idealism and the willingness to sacrifice oneself for a greater cause.

Hemingway’s genius is that you never fully understand protagonist Robert Jordan or why he persists on his mission. In some circles Hemingway has fallen from favor because of his macho reputation, and yet there’s a tender, if fragile, romance at the heart of this book that is very compelling.

Two slim books from the backwaters of different continents will have you in stitches – An Béal Bocht (The Poor Mouth) by Flann O’Brien and A Confederacy of Dunces by John Kennedy Toole; they will also provide limitless stories and quotes with which you can regale your friends when the pubs finally reopen.

And if plays be your thing read the exquisite Girl From The North Country, the collaboration between Conor McPherson and Bob Dylan.

And for fans of Nobel Prizewinner Bobby, listen to his aural treatise on the Kennedy Assassination, Murder Most Foul. At 17 minutes it will either put you soundly asleep on some dark night of the soul or confirm that he is the greatest living artist. Your call!

Wexford Quare Fellahs and the Price of Bullocks

Toddy Kirwan was a quare fellah back in Wexford, a town that boasted many such characters.

He was a first cousin of my grandfather, Lar Kirwan, a renowned cattle dealer. Lar was reputed to be capable of estimating the weight of any sized bullock to the nearest pound.

Toddy was a cattle dealer too but no one ever made such a boast about his bullock-estimating capabilities.

My grandfather was very successful in his chosen field and owned two big farms full of bullocks fattening up before being shipped to the slaughterhouses of England; while Toddy resided with his two sisters in Carrigeen in the heart of Wexford town. 

Both men drank at The Wren’s Nest on Wexford Quay in the cordial company of others engaged in the cattle trade.

My grandfather was a severe man who rarely loosened up before his first glass of Powers. 

Toddy, on the other hand, though quiet and kindly, never seemed to let his hair down – or what was left of it. Perhaps, my grandfather’s success and bullock-estimating ability cowed him. It’s hard to tell. 

Back in those simple times I hadn’t as yet delved into Freud or Jung – or as my grandfather would have called them, Fraud and Junk. 

Apart from estimating the weight of bullocks and the form of racehorses my grandfather was not greatly interested in the subconscious.

Between the jigs and the reels Toddy got into some manner of financial scrape – a not unheard of occurrence in the boisterous world of cattle dealing.

I never heard a figure mentioned, but the affair had something to do with a miscommunication with my grandfather. 

It was all very mysterious but my grandfather, a man of few words, was heard to comment, “You might as well be talking to the bloody wall!” 

There was rash mention of solicitors and a day in court to sort matters out.

Then drama! Toddy’s elder sister announced that her beloved brother had disappeared. He had last been seen on the boat train to Rosslare Harbour on his way to London.

There was much headshaking at my grandfather’s house that led to his cryptic question, “What the hell is that fellah going to do in London?”

The years passed but matters did not rest. There was occasional word of Toddy sightings around Cricklewood, and eventually a rumor that he had met his Waterloo over a game of cards.

Then very late one stormy night a carouser while heading up Summer Hill had the wits frightened out of him by Toddy’s ghost flitting across the road between St. Peter’s College and the Bishop’s residence.

And soon thereafter a motorist nearly crashed into the Bishop’s ornate gates when Toddy’s ghostly head peered out from a crack in the wall.

A priest from St. Peter’s blessed the haunted wall and we were all warned to give up the drink and choose another route home after midnight. 

Then one day out of the blue Toddy resurrected in the flesh on Wexford’s Main Street. Women fainted, hard chaws fell to their knees, even John Wilson’s placid dray horse neighed in terror at the sight of this walking cadaver.

But it was merely the bould Toddy jauntily heading down to the Wren’s Nest for his first glass of Powers in years. 

It is one of the regrets of my life that I wasn’t present for the reunion of these cattle-dealing first cousins. But I was in the kitchen when my grandfather proclaimed, “He’s made a holy show of us! Sure wouldn’t I have forgiven him the bloody money if he’d asked!”

It would appear that Toddy, rather than face his day in court, had hatched a plot whereby he retired to his room and never stepped out except for an occasional stroll up nearby Summer Hill in the dead of the night.

I met Toddy soon after and he greeted me in his usual affable manner, but not a word about his lengthy disappearance.

When I inquired of my father – another man of few words - why Toddy had re-emerged he merely shrugged, “He probably got a pain in his arse staring at the same four walls day in day out.”

That’s Wexford for you, a town of masterful understatement and a cast of characters to beat the band.

Bob Marley, Ska, Skinheads and Sir Charles Comer

I always instinctively knew how to play Reggae. Part of that, no doubt, came from listening to my father’s Calypso and Tango records. 

But Wexford also had a very informed music scene, probably because so many locals spent time working in London; whatever was happening over in the “big smoke” was soon rocking our pubs and dancehalls.

Thus did Ska - Reggae’s forebear - gain a foothold with Wexford’s aggressive Skinhead community.

This puzzled me since Skinners weren’t known for their love of Black people; yet they would have died for Prince Buster, the Jamaican King of Ska.

However, I was to discover later that Wexford’s affinity for Reggae and Ska ran much deeper, Ireland being a major source of Jamaica’s DNA. 

That came about through the longstanding rivalry between England and Spain. The English, in their magnanimity, offered freedom to certain Irish slaves and indentured servants if they would move from Barbados to Jamaica and protect the island from an expected invasion.

The Spanish invasion never materialized but Irish and Africans intermarried leading to the lilt of Jamaican patois and the music of this beautiful but troubled island.

Fast forward to New York in the 1970’s. The era tends to get a bad rap nowadays because of the crime rate, but for young musicians the city was a paradise. 

You could live for practically nothing down in the East Village. And that’s where Pierce Turner and I ended up among poets, painters, musicians, and the general dispossessed.

Philip Glass, then a taxi driver, lived upstairs from us for a time and we could hear him rehearse his meisterwork, Einstein on the Beach.

We also used to trek uptown to attend the Schaefer Music Festival in Central Park. Before shows we often dropped into The Irish Pavilion on E. 57^th Street where manager Joe Ruane would always buy us a round in his ongoing efforts to support Irish musicians.

‘Twas there we met Sir Charles Comer, Publicity Manager for Chris Blackwell’s Island Records.

Charlie – one of life’s great characters - had come over from Liverpool as a “go-fer” for The Beatles and worked his way up to knighthood in the adrenalized world of Rock & Roll publicity where he also represented Stevie Ray Vaughan and The Chieftains.

Charlie loved Turner & Kirwan of Wexford and was thrilled that we not only knew the names of his clients on Island Records but would also go to their New York shows.

Thus did we attend Bob Marley and The Wailers first concert in New York City. This event changed my life and a decade later I experimented with Reggae by way of such Black 47 standards as Fire of Freedom and Johnny Comes a Courtin’.

It was a hot steamy New York summer night. A thick haze of marijuana hung in the air as Turner and I worked our way up to the stage. 

The audience was mostly Jamaican with a generous sprinkling of music cognescenti attracted by the paltry $3 admission.

What a bargain to see Bob Marley at his prime. Even now I marvel that his music is still so fresh and vibrant though he long ago achieved universal legendary acclaim.

The Wailers were one of the great live bands: their earthy groove shook Central Park, and I-Three, the backing singers led by Marley’s wife Rita heightened the expectation with their hummed harmonies.

Then Bob seemed to float out from the wings. He began with the exhortation to “Lively Up Yourself “and well over 10,000 people proceeded to do just that.

Sometimes he played a golden Gibson Les Paul, more often than not he danced himself into a chanted trance, and we joined him there for the next two hours. 

At one point he descended from this ethereal high to sing “No Woman No Cry”, and you felt like you were back in the Jamaica of his youth eating “oatmeal porridge in a government yard in Trenchtown.”

Pierce and I eventually floated back to the Irish Pavilion, our lives forever changed by this Rastaman wizard. 

Joe Ruane bought us another round and, along with Sir Charles Comer, we toasted Bob Marley and how he had reunited the African and Irish diasporas on a magical evening in the New York City of the unruly 1970’s.

Celtic Crush Top 100 Songs 2020

Does music influence society or does society influence music?

If you take a look at the Top 20 charts from the 1950’s you might think that Doo-Wop and early Rock & Roll swept all before them; yet Miles Davis captured a moody, dissenting streak that has little to do with the popular image of those placid Eisenhower years.

In Ireland Bridie Gallagher and various Céilí bands were the standard fare as people were forced to emigrate in droves, but musicians were already kicking aside their music stands and forming showbands.

I’ve been hosting and producing Celtic Crush, a three-hour music/talk show on SiriusXM for 14 years now. The show is heard all over the US and Canada, and became international with the advent of the SiriusXM App.

I play roughly 40 songs a show in sets of three and talk about them from a historical, political and social point of view, but as the commentary is improvised the kitchen sink is often tossed in the mix. 

Every couple of years I take the pulse of the audience by inviting them to vote for their favorite Celtic songs.

Broadly speaking these songs come from the music of the 8 Celtic nations and their various diasporas. 

In essence I favor the song not the singer. I’m always on the lookout for what I call future classics - songs from unknowns or singers/groups with niche appeal that I can bring to a broader audience.

This year the audience submitted roughly 250 songs as their listening favorites. 

Given our fractious times I had expected that Celtic Punk songs – of which there are many adherents - would be favored.

Instead, the Top 10 songs tended towards the beautiful and reflective, the lesser known, and often the most melancholic.

In fact I would imagine the #1 song - When You Become Stardust Too by Shay Healy is rarely heard except on Celtic Crush.

It’s a wonderfully optimistic reflection on life and the hereafter and seems to have struck a deeply personal chord with listeners.

As if that wasn’t enough, there was a tie for #2 between two other very reflective tunes.

I devoted a column to Eva Cassidy recently and this is her year on Celtic Crush as four of her songs placed in the Top 100. Fields of Gold her interpretation of Sting’s classic is #2.

Perhaps the biggest surprise at joint #2 is Aisling Gheal from The Poet & The Piper, the mighty collaboration between Seamus Heaney and Liam O’Flynn.

The melody summonses up the devastation of the Irish people during the Penal Laws era but it’s also informed by an untrammeled hope for better days. 

Lest you think the show is funereal #4 and #5 are the irrepressible Whiskey in the Jar by Thin Lizzy and the celebratory Whole of the Moon by The Waterboys. Rounding off the Top 5 is the only overtly political song to make the Top 20 this year, the militant James Connolly by Black 47.

Of interest to New Yorkers, Pat McGuire’s You’re So Beautiful is at #7 and master fiddler Tony DeMarco enters for the first time at #9 with The Best Years of My life.

The perennially popular Pogues score at #11 and #13 with Fairy Tale of New York and Rainy Night in Soho while Van Morrison’s top song this year is Tupelo Honey at #16.

What does all this suggest – perhaps a desire to block out the raucous lies and exaggeration of political discourse with songs that have a deep human resonance and an innate beauty. 

Since two of the three most popular songs are new entries you’d have to say that there’s also a desire for change.

Change would appear to come slowly, however, for I’ve been playing the top three songs for years. 

I wonder what all this says about the state of our society and the coming elections? 

It’s hard to say, but given our original question - Does music influence society or does society influence music? This year I’d have to go with the latter.

To receive the Top 100 write me at blk47@aol.com or visit Christopher Carroll’s Fans of Celtic Crush at Facebook. Celtic Crush can be heard on Sunday mornings at 9amET on The Loft, Ch. 710, SiriusXM with repeats on Tuesday 9pm and Wednesday Midnight.

Wexford's Deep Sea Sailors

Isn’t it odd how the character of towns can change? 

My hometown of Wexford is a case in point. Known originally as Menapia on Ptolemy’s 3^rd Century maps, the Vikings didn’t even arrive until 6 centuries later and change the name to Weis-fjord.

Being the closest town to Britain and mainland Europe it was conquered so often Monty Python and his merry band probably came roaring up the Slaney with divilment on their minds but got stuck in one of the many pubs that used to line the quayside.

For Wexford was always a busy port and its young men sailed the world over.

A majority of these came from The Faythe on the south side of town.

It was there that one side of my family, the Morans, originated. The most renowned was Capt. James Moran, a skipper of one of the old three-mast vessels.

He was my grandmother’s father and sailed often to Odessa in the Black Sea bringing back God knows what. 

Alas on one such expedition he encountered a violent storm off the coast of Cornwall, his ship the City of Bristol went down and all hands were lost.

His two sons, Matthew and John also became merchant marines as did my father. There’s definitely salt water in my blood.

However, Wexford’s young men no longer go down to the sea, as Herman Melville put it Moby Dick.

Certainly many still work on the ferries from Rosslare to Fishguard in Wales or even further afield to Le Harve in France but I never hear of a “deep sea” Wexford sailor anymore.

These men usually sailed off for six months at a time to various parts of the world, be it on tankers out of the Persian Gulf or on the London to Buenos Aires run, to name two routes my father worked on.

After such long voyages the companies would usually give their thirsty mariners a couple of months leave at home.

Did the young men grow tired of such a life, or did wives and girlfriends refuse to put up with such a routine?

As a boy I loved to go with my father to one of the pubs frequented by these deep-sea sailors.

It would usually be in the early afternoon. Two or three of them would already be sequestered at the bar smoking and, more often than not, studying horse and dog racing form.

They would barely acknowledge each other while enjoying their first pint or glass of whiskey, but eventually someone would throw out a question.

“What was the name of that bar in Sydney I met you in, Jem?”

My father’s brow would furrow in concentration before he might reply, “Jaysus, John, it’s on the tip of my tongue, but I can’t for the life of me remember.”

Then some other salt would interject, “There was one night I ran into the two of yez three sheets to the wind in the Rusty Anchor, was that the one?”

Then the floodgates would open and as I sipped my Fanta Orange they’d order up a second round, and a succession of exotic locales would be rattled off, as they wondered if that gorgeous waitress still worked in Sammy’s Bar in Valetta, Malta? Or if Kevin Connors still ran the boarding house on Geary Street in San Francisco, or had Tom Rossiter chucked in the Cunard Line for a job on the oil rigs up off Aberdeen?

Wexford seems like a lesser place without these independent men who took a little piece of the old town with them on their travels and brought back new ideas and the ways of the world upon their return.

Most have passed on now but about 10 years ago I saw one of them sitting on a bench by Wexford quayside. He was old and weatherworn, but still alert and staring out across the harbor.

I could tell he was thinking of his seafaring days for he had a twinkle in his eye, and I fancied he was reminiscing about the gorgeous waitress he had dallied with in Sammy’s Bar in Valetta.

Knowing the type of men these Wexford sailors were - I bet she had fond memories of him too.