I once remarked to Brendan Bowyer that he was responsible
for the sexual revolution in Ireland.
He gazed back with that slightly worried look that creased
his face whenever he feared he was being criticized.
I hastily reassured him that it had all to do with the
packed floors of dancers who had no choice but to cling to each other whenever
his Royal Showband appeared in the 1960’s.
And with that we both dissolved into laughter at the memory
of jammed sweaty nights in Wexford’s Parish Hall.
Back then, The Royal were synonymous with excitement and
glamour. The Miami, The Capitol and The Freshmen were as accomplished but the men
from Waterford had Brendan Bowyer.
With that big voice and personality he- seemed to explode
from the stage. He could rock like Elvis and yet could bring his classical
instincts to bear on show-stopping versions of Love Thee Dearest and Jerusalem.
He had a special charisma that I recognized later in the young
Springsteen – the ability to make you feel that he was singing just to you. All
you had to do was gaze around at other audience members and you could tell they
were under the same spell.
When I left Wexford for ultra-cool Dublin I stopped seeing
showbands, and their long social and musical reign was coming to a close when I
departed for New York.
Brendan and his new outfit The Big Eight missed this demise
for they moved to Las Vegas around the same time and went on to even greater
fame on the strip.
I never forgot Brendan nor the effect he had on me as a
star-struck boy.
Fast forward to the 1990’s, I became friends with his two
daughters, Clodagh, a New York based actress, and Aisling who sang with her
father’s bands. And so I wrote him a fan letter.
He couldn’t have been more gracious and was fascinated that
someone from left-of-center Black 47 would have an interest in him.
One night in Salt Lake City he showed up at a punk club to
see Black 47. It was one of those rowdy mosh-pit affairs and Brendan was
thrilled with the rawness of the scene and the band’s “performance.”
I don’t think he ever fully understood what it meant for me
to have The Royal Showband’s renowned vocalist in the audience. It was a
squaring of the circle, as it were.
We had something in common. I knew what it took for him to come
from a small city like Waterford and make it in Vegas. Such things don’t come
easy. You often lose as much as you gain on the way.
Brendan wasn’t one to blow his own horn so late one night I
wrote his story. I called it Break Like Crystal - in reference to his Waterford
roots.
I wanted a fast-forgetting world to know what he had gone
through – and accomplished. He loved the song and soon after he showed up in
New York and we recorded it with members of Black 47.
He fit in instantly with this motley crew for Brendan was a
bandsman and came alive around other musicians.
He asked me as producer how I wanted him to treat the song.
I just said, “Be yourself, Brendan. It’s your story, sing it
from the heart like you always did in Wexford’s Parish Hall.”
He smiled, took control, and nailed the song on the first
take. He also knocked off a heartfelt version of Black 47’s emigrant anthem,
American Wake, both of which are available on YouTube.
And then he was gone, off to some gig in The Bronx or
wherever. I sat there at the controls and mixed that great soulful voice - full
of wonder and life - that I’d first heard as a chiseler back in Wexford.
Here’s to you, Brendan, you’ll always be a legend. Thanks
for the memories, man, and for blazing a path that so many of us followed.
Then I heard Elvis and it changed everything
And I set off on at the age of 19
To follow a rock ‘n’ roll dream
I don’t break like crystal