Irish American Writers & Artists was formed back in 2008
when it was suggested that Irish-Americans were unlikely to vote for an
African-American presidential candidate.
Although a gripping question at the time it pales in
comparison with some of the issues that have arisen in the three years of Mr.
Trump’s unorthodox presidency.
Be that as it may, IAW&A has thrived in its eleven years
of existence.
We’ve raised money for various causes, granted scholarships,
and each month we provide two salons where members can perform their work
before large audiences. There is no admission charge – all are welcome.
The level of creativity and performance has continued to
improve as word has spread about a unique opportunity to present original
material to a discerning and attentive audience.
And yet for me the real thrill is watching someone take the
first daring step that transforms him or her from audience member to performing
artist.
All of this comes at a price however, and to keep IAW&A
functioning we hold one annual fundraiser where we present the Eugene O’Neill
Lifetime Achievement Award to a deserving artist.
How fitting that it should go this year to our first
president, Peter Quinn. Irish Echo readers need little introduction to this
handsome, erudite figure. He is a best selling novelist for his marvelous
Banished Children of Eve among other works, and was a political and corporate
speechwriter – ever wonder who put a touch of the poet into the oratory of Governors
Hugh Carey and Mario Cuomo?
I was privileged to catch a particularly close look at Peter
while serving on the board of the IAW&A during his presidency.
Though we operated close to the edge financially, and
otherwise, in the early years of the organization Peter radiated a sense of
graciousness and quiet confidence that got us over many the hump.
Of course, he’s from The Bronx, and like many who hail from
the only borough on the mainland he’d already overcome much before ascending to
the presidency of a non-profit arts outfit.
What is it about those who emerge from those storied concrete
fields above Manhattan? In small ways I’ve benefitted too from spending so many
nights playing in Bronx saloons and dancehalls.
You gain a wry acceptance of the slings and arrows that
attend life but also a feeling that if you keep a weather eye open you just
might upset the odds and beat the spread.
Peter has done that time and again and has provided a quiet inspiration
to others who have observed his many victories, hard won and otherwise.
When someone is needed who can wring poetry from the reeling
march of New York’s immigrant Irish out of the Five Points slums – Quinn is
your man.
It’s never easy for an Irish person to become a successful
artist – we’re constantly haunted by the shanty whisper: “What makes you think
you’re so special?”
Eugene O’Neill did it – beat the drink and forsook the hobo
West Village life to become the dominant playwright, and artist, so many of us look
up to.
Peter Quinn did it too. He once told me how he used to rise
every day at an ungodly hour and arrive at his desk early enough to put in at
least a couple of hours of writing before his corporate toiling began.
Becoming one of the best is never easy – the hours are long,
the sacrifices many, but that’s the gig.
At IAW&A salons we provide a springboard for entry into that
life. Somewhere along the line Eugene O’Neill and Peter Quinn grasped their
opportunity and ran with it.
If you want your shot find out more about Irish American
Writers and Artists at iamwa.org
We have new leadership, Mary Pat Kelly, an author from
Chicago’s South Side is President, and New York’s Maria Deasy, actor and
producer, is Vice President.
Join us on Monday, Oct. 21st for one of
Irish-America’s premier social evenings when we bestow the Eugene O’Neill
Lifetime Achievement Award on Peter O’Neill, artist and gentleman. See you there.
Mon, October 21, 2019
6:00 PM – 9:00 PM
Manhattan Manor, Upstairs at Rosie O'Grady's
800 7th Avenue, NYC
For tickets and information visit iamwa.org
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