I once had a conversation with Johnny Cash, an experience akin
to having a pint with one of the figures on Mount Rushmore.
And
yet, meeting Art Foley, the goalkeeper of the great Wexford hurling team of the
1950’s, trumped that. I guess you’d have to be from the Model County to
appreciate the moment.
Wexford
has had some success in hurling since that golden era, but for many time halted
in 1956 when Foley stopped a rocket from Cork’s Christy Ring in the dying
minutes of the All Ireland final.
It
was as if the spirit of the 1798 Rebellion had been rekindled. Tar barrels burned
all the way from Gorey to Wexford Town the night the victorious team arrived
home. And it was all relived at the Wexford Association’s recent dinner.
There are not many Wexford people
in New York. To this day I’m more likely to meet my fellow county people in Cricklewood
or Camden Town rather than Woodlawn or Sunnyside, for London is a mere boat and
train ride from Rosslare Harbour.
But
John Murphy, the indefatigable president of the Wexford Association, twisted
arms, cajoled and pleaded, and there was a full house of us at Rosie O’Grady’s
Manhattan Club on a recent Friday night.
It
was an interesting mix of people – the old timers who had come out in the
1950’s and the more recent arrivals like Barbara Jones, Irish Consul General in
New York, along with keen young lawyers, hawkeyed bartenders, and fearless
entrepreneurs. We were joined by Jimmy Van Bramer, New York City Council
Majority Leader, some of whose people came from Enniscorthy.
And
there in the thick of it all was the mystery man, Art Foley. While on a trip to
New York soon after the momentous 1956 final Art decided to stay. He didn’t
make a big deal about his decision – so in essence the greatest goalkeeper of
his era just disappeared.
When
his name would arise in Wexford sporting conversations – which it often did –
the best that could be offered was, “I think he went to America.” And that was
that.
Of
course, Art and his wife, Anne, were getting on with their lives. They would
eventually have six children and make their home in Mastic, Long Island.
Art
knocked around at different jobs doing “anything and everything” until
eventually joining TWA where he worked as a crew chief for 37 years.
Back in the 1950’s. Irish sportsmen
might have been heroes but like everyone else they had to scuffle for
employment. That innocent, almost threadbare, world came leaping back to life on
the video screen of the Manhattan Room.
We
were transported to Croke Park in September 1956 to cheer along with 83,000
enthusiasts - the men in their Sunday-best dark suits, the ladies in their flowing
summer dresses.
It
was the old Ireland with pre-Riverdance steppers out on the pitch, the Artane
Boys Band playing up a storm, and then two teams of Brylcreem warriors going at
it hell for leather for 60 minutes.
Back then people didn’t travel
outside their native counties very often – going to Croke Park was a major
event to be planned for weeks ahead.
In
pre-TV innocence people gathered in kitchens to socialize or went to ballrooms
to dance; the parish priest was more important than any politician, and there
was a respect for authority that would only begin to crumble a decade later.
Art
Foley was a hero in that world – a name that was spoken of with awe. Christy
Ring even complimented him immediately after his game winning save. Imagine
that happening today?
Almost
60 years later it was hard to take your eyes off the soft-spoken Enniscorthy
man in the Manhattan Club – still vital and self-possessed in his mid-80s. The
keeper who had saved the certain goal and restored a county’s sense of itself,
in typical modest fashion accepted the various awards on behalf of his teammates,
almost all of whom had passed away.
Long
may you hurl, Art! It was great to see you there in the midst of your loving
family. I hope you realize that you’ll never be forgotten back on the banks of
the Slaney.
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