Thursday 27 June 2024

KEROUAC IN THE BACK SEAT OF A GREYHOUND BUS

 The great Chesterton remarked that “travel broadens the mind, but you must have the mind.” To which Mark Twain added, “travel is fatal to prejudice, bigotry, and narrow-mindedness.”

I suppose they were saying roughly the same thing – get out of your burgh and air out your opinions.


Wexford was hardly narrow-minded in the early 1970’s – a port town with a strong merchant marine tradition, it was as open as any in Ireland and closest to Europe, in more ways than just geographical.


Back then, I had the good fortune to see Midnight Cowboy and read Jack Kerouac’s On The Road and, before I knew it, armed with a student visa, I arrived in New York City.


The Deuce (42nd Street) was an eye-opener, East Village rents were cheap – life could be too, but in general, New York in the 70s was both magical and regenerative.


It didn’t take long until On The Road raised its glorious head. At Malachy McCourt’s Bells of Hell I was introduced to composer David Amram, one of the Beats. He and Kerouac had not only been close friends, they had created the Jazz/Poetry fusion during a jam a quarter century earlier.


David resurrected Jack’s spirit in the back room of the Bells and at 93 years young, he continues to do so.


In On The Road Kerouac sets off to excavate the restless soul of America, and in the 1970’s many of us followed suit.


You didn’t need much money. All you had to do was sign up to deliver a car to Florida, California or some other state of place or mind.


You laid down a small deposit, the cars were in great shape, and off you went – into the mystic.

The car agency preferred you to take your time: you had a week to drive to Florida; so accompanied by friends or girlfriend, you headed down the Turnpike to find America.


The country was changing, 1960’s attitudes had leaked wholesale into the 70’s, music was bringing people out of their shells, races were mixing, even in the rigid South. There was friction too, but Miami was resurging, and Key West was an inexpensive paradise.


As money was tight, I always took the bus back. This was a revelation. Greyhound transported working and lower-middle class America. The back seats were filled with servicemen going home, Ratso Rizzos and Joe Blows sporting a bottle or a half-ounce, and you got to hear stories in the dark that echoed Kerouac’s soul-searching.


People talked politics, but respectfully, each person had their say, and we all listened. You soon realized that almost everyone had the same goals: help their families, and be treated with respect.


There was camaraderie among strangers on those buses, and in the rest-stops and the bars near the bus stations - nobody was carrying anything valuable, and we looked out for each other.


It was much the same all over the country, for I drove to California too on varying routes, and eventually I traveled all over this vast country with the various bands I played in.


A craziness began to set in during the Obama years. Was it a reaction to a Black man being president? It was probably more complex, but there’s little doubt that a native nuttiness and xenophobia have been fanned by the powerful tail winds of the internet.


People stay home now and spend long hours staring into screens. You can argue with a “friend” thousands of miles away, without ever having set eyes upon them. You may definitely speak your piece without caring that anyone else might feel insulted by your prickly, solitary honesty.


And you have politicians, influencers, and so many others ready to make a buck by egging on you and your fantasies.


The only thing you don’t have to do today is listen.


What would Mark Twain say? My guess is he’d advise us all to go somewhere out of our comfort zone, buy a beer and listen to the soul of America.


That soul is still out there somewhere – you won’t find it in some anonymous, clamorous chat room,  but you just might run into it in the quiet of night on the back seat of a Greyhound bus. And you’d be the better for it.

Thursday 13 June 2024

I GOT LAID ON JAMES JOYCE'S GRAVE

Who is this guy, James Joyce, and why does everyone go nuts about him around the middle of June every year?

Well, this most enigmatic of Irishmen had a first date with his future wife on June 16, 1904, which event helped inspire Ulysses, a book that most people have never finished.


This same wife couldn’t make head nor tail of his “auld writing” and would have much preferred if he’d “stuck to the singing” – after all,  he had a fine voice and came third to John McCormack in a Feis Ceoil for tenors in 1903.


But there was no talking to the man. He persevered with the auld writing through debt, despair, drunkenness, and near blindness; perhaps that’s why Nora Barnacle didn’t marry Joyce until she’d lived in sin with him for 37 years.


Nora was born and bred in Galway. James’s alcoholic father, John Stanislaus Joyce, was reputed to have noted that “with a name like Barnacle Jim will never get rid of her.”


Speaking of the drink, no less an authority than Ernest Hemingway declared that James Joyce was a rummy. His poison of choice was wine but he wouldn’t touch a drop of red with a forty-foot pole, for it reminded him of blood. That’s the kind of fellah we’re dealing with!


Nora deserves retroactive sainthood, for the Joyces are reputed to have moved house more than 30 times, often one step ahead of a stiffed landlord.


We shouldn’t think too badly of James though, since he learned this trick from his Cork- born father, God help him. 


James himself is reputed to have cadged the modern equivalent of a million and a half bucks from Harriet Shaw Weaver in the course of his lifetime. In fact, he appears to have borrowed from just about anyone he came in contact with. 


When asked about his inscrutable expression in one of his more famous portraits, he explained, “I was wondering if the photographer might lend me a few shillings.”


All that being said, James Joyce was one hell of a writer. Ulysses is considered by many to be the greatest novel written, although some feel it may be an inside joke foisted upon us by a seriously deluded man. 


Still, if you make it towards the end, you will be exposed to Molly Bloom’s soliloquy, arguably the most riveting and heartfelt piece of literature. Not to mention, it is essential reading for any gentleman who wishes to get to the bottom (figuratively speaking) of a lady.


And now, some advice before you set off to explore the wonders of Ulysses, for Bloomsday, is at hand.


I would suggest beginning with Dubliners, Joyce’s short story collection; it’s accessible and contains The Dead, perhaps the finest novella in the English language. If pinched for time, you can always substitute John Huston’s lovely film of the same name, starring his daughter, Anjelica, and the immortal Donal McCann.   

   

If you’re still in a Joycean frame of mind, get thee to Portrait of the Artist as a Young Man, Joyce’s first novel. Again, this is a relatively plain-spoken book and features a Christmas dinner scene worth all the tomes devoted to the tragedy of Charles Stewart Parnell, “Ireland’s uncrowned king.”


You now owe yourself a stiff congratulatory drink. You have successfully negotiated two Joycean hurdles and Ulysses looms ahead. 


Instead of opening this Dublin odyssey at page one and lurching logically forward, I suggest you close your eyes and dive in at any other page – your choice!


Take a read, if it appeals to you continue from there, or close your eyes again and like a bee surveying the petals of a flower let your instinct direct you. If nothing should catch your fancy, then flip forward post-haste to Molly’s final cri de coeur. The very stones in the street have been moved by her soliloquy.


The idea is to get a feel for this wonderful book. Once you’re hooked you can always begin at the beginning and plough on relentlessly to the end.


For Ulysses is a true celebration of life and it brings everything you might ever want to know about the city of Dublin to the fore. All you have to do is find a line, a sentence, or a chapter that will gain you entry. From then on, your heart too will glow in the middle of June every year.

 

Bloomsday Celebrations Sunday June 16th:

 

Ulysses, 58 Stone Street, NYC – Colum McCann curates the 21st Anniversary Bloomsday Celebration on the street, featuring Aedín Moloney as Molly, Larry Kirwan as Gerty & a cast of 1000s. 2pm Free!

 

Blooms Tavern, 208 E. 58th St. NYC – Origin Theatre’s annual Bloomsday Celebration. Featuring Terry Donnelly, Allen Gogarty and friends. Period attire optional. 6pm, tickets, origintheatre.org 

 

American Irish Historical Society, 991 Fifth Avenue, NYC - Molly Bloom by James Joyce performed by Eilin O’Dea. 3pm, tickets, aihsny.org

 

Saturday, June 15th,  3pm Irish American Writers & Artists, Shout in the Street, at Dive 106, 938 Amsterdam Avenue, NYC,  Free, rip-roaring & a day ahead, for information iamwa.org