Sunday, 12 March 2017

Fanatic Ladies

It’s odd to see yourself in a movie, especially when you have no idea what’s coming next. Such was the case when watching a rough cut of Fanatic Heart recently.

In the course of 25 years with Black 47 I’d acted the clown in a number of MTV videos – hardly a great experience, since that pathetic medium emasculated Rock & Roll and left it the flaccid force it is today.

Still, I’ll be there with my popcorn tomorrow night March 2nd when Fanatic Heart (the Black 47 movie) premieres at Cinépolis Chelsea for Craic Fest’s Gala opening.

The directors, Vic Zimet and Stephanie Silber really captured the arc of the band. It is far from the usual musical puff piece as our only directive when they began filming 17 years ago was to “show it like it is.”

They didn’t stint on that – the passage of time is well commemorated in lined faces and graying hair – but who gives a goddamn considering the alternative? We all got out alive - more than can be said for many around us.

It was interesting to watch from the outside. From my perspective at the center of the cyclone it was all one big swirl of passion, fatigue, dissonance and delight in a continual battle to do exactly what we wanted.

One of the most interesting people interviewed was my sister from another mother, Mary Courtney. She was the woman’s voice on Livin’ in America, one of the band’s signature songs. 

I guess the reason she fit so perfectly is because we all came from the same Bronx music cauldron and shared many political views.

Watching her made me realize how interesting it would have been to feature the other women members of Black 47. What a cast of characters!

I first met Mary Martello while setting Caoineadh Airt Uí’ Laoghaire (The Lament For Art O’Leary) to music for a dance-theatre piece by June Anderson. Mary had never heard the Irish language or the great epic poem and yet she sang as though raised in a Munster Gaeltacht.

I used part of that performance for the intro to Big Fellah, our song about Michael Collins. Kurt Sutter, Sons of Anarchy creator, was so taken with Mary’s vocal he featured the track on the Lochan Mór episode gaining the band a worldwide audience. Mary continues to act and sing in the Philadelphia area.

I don’t know where I met Christine Ohlman. A Rock & Roll legend and singer with the Saturday Night Live Band, she’s often called The Beehive Lady on account of her spectacular bouffant! And what a voice – somewhere between Ronnie Spector and Janis Joplin! Take a listen to her on Black 47’s Blood Wedding where she channels the pain of Carlita, a Lower East Side woman caught in a crime of passion.

Some of you already know Celtic princess, Ashley Davis. I met her on her first night in NYC after a stint as sean-nós singer in a Michael Flatley extravaganza. A collector of rare songs when she’s not writing her own classics, her solo career is booming and, to top it all, she had the good fortune to marry a Bronx boy. She adds her haunting voice to Fatima, a young Muslim woman with a decision to make, on Black 47’s New York Town album.

Nora Shanahan showed up at our recording studio after a night on the town. She was one of the singers in New York’s great lost band, The Táin. Totally distinctive, she reminded me of a peroxide punked-out Bridie Gallagher. She was accompanied that morning by an entourage as well oiled as herself. But, man, when she lit into Bodhráns on the Brain, the room lit up. 

Bodharns is a rip-roaring fare-thee-well-sucker song about an Irish girl ditching her cool New York boyfriend for an “auld alcoholic bodhhrán maker.” I still laugh whenever I hear Norah ripping me apart and am delighted she found happiness back home in Ireland.

There were other ladies - just as distinguished - who sang with Black 47, God bless them. Perhaps they’ll show up at Cinépolis Chelsea tomorrow night. If not, see you there.

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