Eleven
years ago I was standing in a corridor of Sirius Satellite Radio’s headquarters
laughing and joking with legendary host Meg Griffin. She had just interviewed
me on the release of a Black 47 CD, and we were reminiscing about late nights
spent in CBGB’s.
Upon
noticing my accent a passing executive inquired if I might be interested in
hosting a weekly Celtic Music show. As ever, being in the right place at the
right is the name of the game.
Meg sat
in the first couple of weeks and suggested that I play three songs, then say
whatever came to mind; thus was the template for the three hour show conceived.
She
warned that unlike terrestrial radio I would be speaking to people the length
and breadth of the US and Canada so act accordingly. “Oh, sweet Jesus,” says I
to myself, “I hope I have something to say.”
As I
soon discovered, if you’re producing the show and choosing the songs you’ll
find plenty to talk about - assuming you have an interest in music, half a
brain, and a regard for your own opinion.
It has from
time to time been suggested that I possess only two of these characteristics –
a thick skin, as you might imagine, is required for this gig.
I
decided upon three rules: I would only play great songs; that Celtic would
include the eight recognized nations and their diasporas; and that I would not
disqualify musicians because of jealousy, revenge or plain old personal
distaste.
The last
rule was the most difficult, having spent years on the road with the greatest
collection of alcoholics, cardsharps, sheep-shaggers, petrol-siphoners, prima
donnas, bad check artists, and others even less reputable.
Celtic
Crush has become very popular both in the US and Canada, probably because it’s
the only Celtic show on all platforms of SiriusXM. Ah yes, there’s nothing
quite like a monopoly for boosting business!
SiriusXM
has now over 30 million subscribers so you’re playing to a very broad
demographic. That’s why Celtic Crush is song - rather than musician - oriented.
With over 150 channels to choose from, if you play something merely average, or
god forbid, banal, it really stands out, and subscribers are only too willing
to move on to another channel.
That doesn’t
mean that I only play accepted standards. Far from it! I’m always searching for
what I call “future classics.” There’s nothing quite like finding a great song by a
new band and introducing both to a large new appreciative audience.
One such
band is Lynched who may one day fill the big shoes of The Dubliners. And yet, I
could never have helped them if they hadn’t written the haunting, enigmatic Cold
Old Fire.
It’s
amazing how little exposed North Americans have been to The Dubliners, and the
twin magic of Luke Kelly and Ronnie Drew. But it’s also great to turn the world
on to Corner Boy, a band from Wexford not unlike Mumford & Sons, but
perhaps a little better. Try their rousing, Morning Morning.
For
Scottish music, give a listen to Peatbog Faeries or the best band you’ve never
heard, Runrig. But Celtic music travels far afield nowadays, so experience Alan
Stivell’s collaboration with one of the world’s great singers, Senegal’s
Youssou n’Dour on A United Earth.
Of
course, I play all the recognized Celtic greats from Sean O’Riada through Van
Morrison to Dropkick Murphys but it’s always about the song – not the singer,
and the more original the better.
Celtic
Crush is not without social and political content. In fact it’s a direct retort
to Dr. Conor Cruise O’Brien’s dastardly Section 31 of the Broadcasting Act that
did so much damage to Irish culture and tradition. For on SiriusXM one is
encouraged to say what one pleases without fear of censure.
The show
has spawned a number of Facebook pages including Fans of Celtic Crush where
discussions and arguments break out frequently on musical, political and social
topics.
It’s
been an eleven-year old joy to introduce so much great music and place it in a relevant
context where it can be even more appreciated. I hope you’ll join me some
Sunday morning.
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