I’ve always loved radio. I suppose that comes from spending
so many solitary nights back in Wexford tuned into an ancient tube-powered
wireless. What treasures seeped from its cloth-covered speakers! I could
summons voices from Luxembourg, London, American Forces Network in Germany
(AFN), not to forget Bulgaria.
The
comrade with the sexy voice from Radio Sofia was my favorite. It didn’t matter
that she was preaching the destruction of capitalism and the demise of the Holy
Father in Rome, I was hooked by her sultry Eastern European accent. I even wrote
her a fan letter and was rewarded with a big package addressed to “Comrade
Laurence Kirwan.”
This
caused no end of problems, as Jim Morris, our postman, was not only a Fianna
Fail member of Wexford Corporation but a very devout Catholic. He complained to
my grandfather about the godless, communist propaganda I was receiving. He
needn’t have bothered - I was already disenchanted: instead of a picture of the
sexy comrade, they had sent a long boring treatise on Marxism.
Fast-forward
many years to an interview with Meg Griffin at Sirius Satellite Radio about the
latest Black 47 CD. Steve Blatter, Vice President of Music Programming,
happened to hear my accent and inquired from Meg if I’d be capable of stringing
a couple of coherent sentences together as they were in need of a host for a
Celtic show.
Ms. Griffin assured him of my
rapier-like loquaciousness and a week later I was behind the controls at Sirius
delivering the first broadcast of Celtic Crush.
I’ve
been doing it now for ten years and it has enriched my life enormously. Once I’d figured out the studio
technology I was encouraged to produce the show.
This
essentially means that I choose the songs, and I decided from the outset that I
would reward songwriters and musicians who took chances in their search for
excellence.
There are many types of Celtic
music - each with its own boisterous proponents; however, most agree that we
feature a strong selection from their genre on Celtic Crush with little nod to
commerciality. Finding great songs is always a task; on the other hand “modern”
Celtic music has over fifty years of material to choose from.
Because
it’s satellite radio the show is broadcast throughout the US and Canada and can
be accessed by computer anywhere in the world. With over 150 full-time channels
broadcasting simultaneously you’ve got to be engaging and on your toes, but
with 28 million subscribers there’s a potentially huge audience.
I
keep the show as loose as possible for there’s a thrill in being just one step
away from disaster. I begin with a three to five minute soliloquy and this sets
the tone for the show. I usually concoct this “opening statement” on my
pre-dawn subway journey to the studio. If nothing else it keeps me awake!
I
use no notes or computer. It’s just one person with a microphone and a lot of great
music. Having played 25 years with Black 47, I often personally know the
artists I’m talking about. But I’m not concerned with their personal foibles –
only their art and how they create it.
During
interviews I try to put the artists at ease so that they’ll open up to the
listeners about their music and its inspiration.
Ray
Davies was my favorite interviewee. What an intelligent person and a gentleman
to boot – he walked me through the recording of Waterloo Sunset, as though it
had happened yesterday instead of 1967.
Why
is Ray Davies Celtic? Well, his people originated in Wales and he lives in
Ireland part of the year. That’s Celt enough for me. Still, we feature
everything from The Kilfenora Ceili Band to Dropkick Murphys with many a stop
in-between.
And
so this coming Saturday I’ll celebrate ten years of Celtic Crush with a look
backwards. It never ceases to amaze me how great songs hold up while great
arrangements and fashionable choices so often don’t.
Or
as Stephen Foster is reputed to have said, “great music is forever, everything
else fades away.” Celtic Crush continues to thrive ten years later.
Celtic Crush can be heard on SiriusXM Satellite Radio, The
Spectrum, Ch. 28, Saturdays 7-10amET, Tuesdays 11pmET. Two full shows always available by
signing up for On Demand.
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