On one day a
year, they congregated outside St. Patrick's Cathedral off Prince Street in New
York City and marched in celebration. To some of these immigrant Irish and
their American born children it was a religious occasion, but to most the
gathering was an affirmation of their right, not only to survive but to thrive
in their adopted country. That's what I sense on St. Patrick's Day - an echo
from a time when the Irish were despised outsiders. And that's why I go along with the raucous energy, the
excitement and even the green beer, the plastic shamrocks and the ubiquitous
leprechaun.
I didn't always
feel that way. When I arrived from Ireland, these manifestations of
Irish-America were at best embarrassing. Back home, our own celebrations were
rigid and religious; we did sport actual sprigs of shamrock but there was no
beer, green or otherwise on this gloomy church holiday. The Parade up Fifth
Avenue and the ensuing bacchanal seemed downright pagan by comparison.
I had other
immigrant battles of my own ahead. Black 47 was formed to create music that
would reflect the complexity of immigrant and contemporary Irish-American life
and to banish When Irish Eyes Are Smiling off to a well earned rest at the bottom of Galway Bay. This idea met with not a little
resistance in the north Bronx and the south sides of Boston and Chicago; but
when irate patrons would yell out in the middle of a reggae/reel "Why
can't yez sing somethin' Irish?" I would return the compliment with,
"I'm from Ireland, I wrote it! That makes it Irish!"
With time and
familiarity, Irish-America came to accept and even treasure Black 47, probably
more for our insistence that each generation bears responsibility for solving
the political problems in the North of Ireland, than for recasting Danny Boy as
a formidable gay construction worker. I, in turn, learned to appreciate the
traditions of the community I had joined along with the reasons for the
ritualized celebration of our patron saint. And now on St. Patrick's Day, no matter what stage I'm on,
mixed in with the swirl of guitars, horns, pipes and drums, I hear an old, but
jarring, memory of a people rejoicing as they rose up from their knees.
Our battles,
for the most part, have been won; indeed, one has to search an encyclopedia for
mention of the Know-Nothing Party or various 19th Century nativist politicians
and gangs. Anti-Irish sentiment, not to mention Anti-Catholicism is a thing of
the past. Might it not be time then that our New York St. Patrick's Day Parade
broadens its parameters to celebrate all Irishness no matter what religion (or
lack thereof), sexuality or political conviction? It's a broad step, I know.
But with the makings of a just peace finally taking seed in the North of
Ireland, might we not some day witness Peter Robinson, Martin McGuinness and
various members of the Irish Gay community walk arm in arm up Fifth Avenue.
Impossible? Times change and with them tactics and even treasured principles!
Whatever about
Parade pipe dreams, we still must honor the memory of those who paved the way
for us. Part of that responsibility is that Irish-Americans should never forget
the new immigrants from other lands, legal and otherwise. Many, like our
forebears, are fleeing tyranny and are striving to feed and educate their
families. It would be the ultimate irony if an Irish-American were to look down
upon the least of them; for, in my mind anyway, there is no place in the Irish
soul for racism, sectarianism, homophobia or even dumb old Archie Bunker type
xenophobia.
I once heard
Pete Hamill ask: "What does the Pakistani taxi driver say to his children
when he gets home after 12 hours behind the wheel?" I can't answer for
certain but I'll bet he echoes many of the sentiments of those Irish who
gathered outside St. Patrick's Cathedral so many immigrant tears and years ago.
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