Chickie Donohue and The Greatest Beer Run Ever

 I have no idea when I first met John “Chickie” Donohue, but it was sometime back in the 20^thCentury.

Where I met him should be easier, but again it could have been up in his native Inwood, in the wild and wooly Bronx, on the shores of Rockaway, or in any of the city’s teeming Irish bars where union members, immigration advocates, and those concerned with the struggle in Ireland congregated.

Even back then Chickie was an urban legend, and I never doubted that he had delivered cans of Pabst Blue Ribbon to his fellow Inwoodians serving in Vietnam.

It was, after all, an unusual war. Hadn’t my friend, Brian Heron, grandson of James Connolly, also shipped out as a merchant marine to check out first hand the scene in Saigon.

Indeed, didn’t Pierce Turner and myself receive a gilded offer to front a version of the 1910 Fruitgum Company and do a tour of American bases in that war-torn country? We only turned it down because we felt it would be beneath our artistic standards to perform Simon Says and other such bubblegum standards for cavorting troops.

But Chickie stood apart: in a time of gathering anti-war protest he was on a mission of honor to show his friends that the guys back home in Doc Fiddler’s bar supported them and their service.

Thus, in November 1967, did this ex-marine set out for Nam on board a vessel carrying arms from New York to Qui Nhon. Some months later, he delivered his first beer to MP Tom Collins, a childhood buddy, then serving in the conflict.

Stumbling through the fog of war, he soon thereafter handed over cans of Blue Ribbon to Rick Duggan and Kevin McLoone amidst the Battle of Khe Sanh. Then away with him to Saigon where he finished his sacred mission by offering some sorely needed suds to Bobby Pappas.

As luck would have it, he missed his plane back to the US because of a little Viet Cong diversion called the Tet Offensive, but eventually he made it home to Doc Fiddlers, mission accomplished.

These and many more adventures are documented in the film The Greatest Beer Run Ever that you have to see. Talk about a shaggy dog story!

But it’s so much more, for Chickie’s beer crusade caused this once hard-hat war supporter to reconsider his opinion and see the Vietnam War for what it really was – a brutal, ill-advised, American disaster.

By the time I met him Chickie was political director of Sandhogs Local 147, Laborers International Union of North America and a progressive force around NYC.

It may sound sacrilegious but he sometimes reminded me of another notable New Yorker – Father Michael Judge OFM. Each devoted total attention when conversing with you – a rare thing in the bustling barrooms we frequented. Both men could also see right through whatever psychological façades you had erected, plus when the occasion demanded they offered incisive and life-changing advice.

Whatever about Fr. Mychal, you could tell that Chickie’s counsel had come at a cost. I never gave it much thought at the time, but on reflection it’s hard to imagine that he didn’t confront many hard truths during his jaunt around Vietnam.  

Saint or psychiatrist, that’s Chickie for you, and thankfully he’s still out there  on our streets spreading his brand of casual joy and camaraderie with a weather-beaten smile.

I often wonder if New York City is losing some of its magic, as a generation of contrarian characters the like of Pete Hamill, Brian Herron, Frank McCourt, Brian Mór and so many others fades away.

But then you think of Chickie Donohue heading off to Vietnam with a sack full of Pabst Blue Ribbon under his arm, and you know that as long as there’s an Inwood, Rockaway, Woodlawn, Bay Ridge, or Tottenville, there’ll be unlikely heroes aplenty to take their place.

Here’s to Blue Ribbon, friendship, and The Greatest Beer Run Ever, a movie about one of us, and to hell with all the suits and psychotics down in DC dreaming up their wars of choice and misadventure that they’ll never serve in.

Ready For The Next Recession?

 

So, who is Jerome Hayden Powell? He’s the 16^th Chair of the Federal Reserve and he holds your future in his hands.

 

Who elected him? No one, yet in his rise to the “most important financial position in the world” he’s been given the leg up by Presidents Obama, Trump, and Biden. But perhaps Bloomberg News’ description of him as “Wall Street’s Head of State” hints at his true allegiance.

 

Barely a year ago this suave man for all season was quite certain we were experiencing a little “transitory inflation” brought on by the pandemic, pent-up consumer demand, and Putin’s war in Ukraine.

 

Of late, however, he’s morphed into Clint Eastwood galloping into town and informing us that he will continue to raise interest rates until inflation is tamed and “the job is done.”

 

He gives no estimate of just how high rates must climb, but he does caution that his actions may cause a recession.

 

He neglects to mention that his interest raising policies have already affected broad swathes of the populace who can no longer afford the American dream of home ownership because of high mortgage rates.

 

He often cites former Fed Chairman Paul Volcker as a role model. In the late 1970’s, early 1980’s, Mr. Volcker did stamp out inflation by raising interest rates to 19%. And yes, you guessed it, this brought on a recession that lasted years, and led to unemployment rates of over 10% and the loss of up to 4 million jobs.

 

Obviously neither of these gentlemen ever heard my stonecutting grandfather’s advice, “Never use a sledgehammer when a chisel and hammer will do.”

 

Living in the impecunious East Village, I barely recall the Volcker recession – I probably downsized from Heineken to Pabst Blue Ribbon - and soon enough along came President Reagan who drastically raised government spending and it was morning in America all over again.

 

But I remember vividly the Great Recession of 2008 - watching grown men cry in the corridors of a national music company as they studied their pink slips.

 

Predicting economic trends is both science and art. Certain indicators can reveal much, but you always have to factor in prevailing winds, human error and common sense.

 

And right now you can tell that “Clint” Powell has about as much of a clue as the rest of us – partly because he resides in the rarified upper echelons of the financial class and has forgotten what his mother - or more likely nanny - once told him, “When prices go up, they rarely come down.”

 

One of the prime reason prices are rising is because workers are finally getting the raises they have long been overdue.

 

Mr. Powell believes that such “labor costs” will need to come down before inflation does. But should “labor costs” come down – emphatically, no! 

 

Mr. Powell would do well instead to cast his jaundiced eye on Wall Street. So far a majority of S&P 500 companies are beating third quarter earnings expectations. 

 

With supply chain problems steadily improving, it’s unrealistic to think that profiteering and price gouging are not adding to current chronic inflation. 

 

Look at the recent record earnings of companies such as Exon and Chevron, and President Biden’s wish to tax them on windfall profits.

 

There is, however, definitely still a pent up demand for some services in our booming economy. Last Friday night every restaurant and bar in Soho was jammed to the gills with customers splurging on overpriced meals and drinks. How about imposing a temporary 10% inflation surtax on incomes over $100K?

 

Doubtless, this would be an unpopular move, but a targeted and temporary one that would cool off some of the spending that is stoking inflation.

 

Even a 90 day price freeze similar to President Nixon’s in 1971 might buy some time to consider other targeted measures.

 

But, please, no more loose talk about a “soft-landing” recession. Too many lives and futures are at stake, particularly those on the bottom half of the economic ladder. 

 

We have endured enough sledgehammer, shot-in-the-dark corrections that have caused long-term recessions.

 

With unemployment hovering around an all time low and 10 million jobs waiting to be filled, a recession is the last thing we need.

A Recent Week in Ireland - Long Live The New Republic!

 I recently spent a week in Ireland. I usually take a group over annually on a historical/musical tour, but because of the pandemic this was my first time back in three years.

I enjoy this work-vacation as I get to see the country through the eyes of others.

From traveling with Black 47 I found that you’re much more invested in what’s happening around you when working rather than merely on vacation.

Thus while touring Argentina in the fall of 2000, because of our dealings with promoters and vendors we were never less than aware that both country and currency were on the verge of collapse.

Ireland was in no such straits on my recent visit, and yet the country has changed much in three years.

It’s more youthful, European, and multi-cultural. I’m sure there are many who miss the old Ireland, but that’s not hard to find – take a couple of steps off the beaten rural track and you could well imagine you’re in a scene from the Quiet Man, or at least The Snapper.

Ireland is still incredibly beautiful. Though I spent much of my youth in County Wexford I’m still astonished by the deepness of the green. Johnny Cash may have rhapsodized about 40 shades of the color, but he neglected to mention the myriad others.

And though the Dingle Peninsula is one of my favorite places on earth, I never saw it as beautiful as on this trip.

As for Galway City, even on a Monday night it was alive and kicking, with traditional music pumping out of bars, and buskers galore ripping it up on Shop Street.

And yet, there was a certain unease, though it was usually muttered rather than voiced aloud. Hospitable and socially aware though Ireland may be, there was a definite feeling that, given the shortage of housing, the government had welcomed too many Ukrainian refugees

.

This was not the xenophobic distaste for foreigners that you sometimes hear in the US, more a sense that the situation had been badly handled officially. Hopefully, time and patience will ease this situation, but with inflation rising rapidly, there could well be a backlash.

Oddly enough, the political situation in the UK helps take the pressure off, for having the basket case of Europe on your doorstep does provide comic relief.

Brexit is finally catching up with our noisy neighbors. Politicians as disingenuous and flatfooted as Boris, Liz, and Kwazi, help their Irish counterparts appear statesmanlike and even downright serene.

There’s also a discreet triumphalism wafting around the Republic over the recent census figures in the North. No one is dancing a victory jig, but the change in Protestant/Catholic demographics has been widely noted.

There’s little doubt that Sinn Féin will lead the next Irish government; even those of a West Brit persuasion seem resigned to this once terrifying prospect.

Not to mention, Sinn Féin will head the next Northern government whenever the DUP wakes up and realizes it’s the 21^stCentury.

But even the backwoodsmen of the DUP, god love them, have never suggested that the voting system is mystically rigged against them as has happened here since 2020.

I have to say I find it somewhat jarring that Ireland is now a more rational country than the US. It just feels more grown-up over there.

It could be that once the Catholic Church lost power, people began measuring their lives by a more equable moral compass.

It’s not just that gay and other rights are now readily accepted in Ireland, but a live-and-let live atmosphere pervades the country. And nowhere is that more obvious than with women. Without any church or civil by-your-leave, they have assumed their social and political rights and the country is a lot better for it.

The lads seem to have had no trouble ceding their once legendary macho control. At least that was the impression I got as I watched the Irish Women’s Football team hold on to beat Scotland and qualify for the World Cup.

The only way that Irishmen beat Irishwomen that evening was in their roars of approval for their triumphant sisters in Hampden Park.

It’s been a long time coming. Long live the new Republic!

Turner & Kirwan of Wexford

 It’s not often you open your mailbox and find a picture of you taken 45 years ago, especially when it’s the cover of an album you’d recorded back in 1977 with your best friend.

It was like receiving a time capsule full to the brim with our attitudes, opinions, musical tastes, and so much more.

The album was Absolutely and Completely by Turner & Kirwan of Wexford.

It was the culmination of years of playing in dives, clubs, pubs, colleges, and even stadiums across the country.

To our surprise – and everyone else’s – Absolutely and Completely almost became a hit.

Back then radio wasn’t as strictly formatted as today. At many stations DJs could actually play what they liked; hence, a number of tracks from the LP became firm favorites on FM Radio.

Even in that bygone age of diversity Turner & Kirwan of Wexford was an unusual band – just two of us with our soundman, Neil Kempfer Stocker on Taurus bass pedals.

Pierce Turner doubled on clavinet and Moog synthesizer, all the while playing a high hat with his left foot. 

 

I played a heavily effected acoustic/electric guitar and hammered the hell out of a bass drum with my right foot.

We once got banned from New York City’s spacious Town Hall for being too loud, which says as much about our attitude as our volume levels.

Oddly enough, we were also banned from CBGB – an unheard of feat - though we were the first band to play the joint.

It was either feast or famine for T & K of W. Within a month of disembarking at JFK, a Radio City talent scout heard us at the nearby Pig and Whistle, and signed us for a weekly wage that made our eyes pop.

Alas, we never got to match steps with The Rockettes for we were unable to produce the requisite green cards.

Still, New York was our oyster - a paradise where you could rent an apartment in the East Village for 100 bucks a month.

Sure, it was a tad dangerous but who cared – there was so much happening musically, and we savored it all. Punk, Reggae, Folk, and Jazz blasted from club doorways, plus on summer evenings in Central Park you could thrill to Pavarotti and Bernstein.

Up in The Bronx, Durty Nelly’s, The Wagon Wheel, and The Village Pub hosted gigs 7 nights a week, while a couple of miles down the Concourse Grandmaster Flash was creating beats and anthems that would change the world.

It was a great scene and we were in the thick of it, mixing punk and classical riffs to tell stories about lonely priests, and traveling people, always with echoes of Wexford trailing behind.

In the DIY ethic of the times we made our own album. It was rockin’, psychedelic, orchestral folk, and very much us.

We thought we might pick up some random airplay, but lo and behold, WNEW, WLIR, and many other FM stations across the country added our songs.

The beat went on, the crowds got bigger, and our admirers ranged from Pete Seeger to David Bowie, Norman Mailer to Frank Herbert, Frank McCourt to Lester Bangs.

It didn’t hurt when Girl Next Door became the first rock song about lesbianism to get significant airplay – though when, Polydor, our Irish record company, listened to the lyrics, they promptly dumped our LPs into the garbage. The Island of Saints and Scholars apparently wasn’t ready for us.

In the meantime, our manager ordered us up to the Catskills to rehearse a 5-piece band that could capture the sound we’d created in the studio, but when we returned he had moved to the West Coast, and a promised US tour evaporated.

So we formed the new wave Major Thinkers, were signed to a major record deal and became the “next big thing” for a couple of months.

Eventually Pierce and I went our separate ways, and Absolutely and Completely became an LP collector’s item. But we never forgot it and its 1970’s uniqueness.

It’s just been re-released as a limited edition CD with lots of bonus tracks and can be purchased at https://shop.bandwear.com/turnerandkirwan

Though not for the faint of heart, it captures the spirit of 1970’s New York, and the dreams of two young men who did things their way - absolutely and completely.

A Not So Natural Disaster

 The ospreys were still diving in Long Island Sound in early October.  They’re usually long gone by now; it’s a hell of a journey to South America where many of them spend the winter months.

Then again, they arrived late this year, as did the piping plovers. I began to wonder if both species were victims of the extreme weather so common nowadays.

The egrets were a no show. Oh, there were sightings, but nothing like other years when the marshland would resound with their chatter around dawn.

Why does it matter? I guess I’ve come to rely on them. When all else is in turmoil, these birds provide constancy.

I’ve long ago given up on horseshoe crabs - though they’ve outlasted their dinosaur peer, their numbers in the Sound have dropped precipitously in the last decade.

Some say they’ve become victims of the pharmaceutical companies who use their blood to test the efficacy of various vaccines.

Perhaps, but I think the rise in temperature in local coastal waters has interfered with their mating process. 450 million years of courting come to an end – and on our watch too.

I can attest to the rise in temperature. When I first came to the Sound in 2000, I rarely even dipped a toe in the brine until mid-June and never felt totally comfortable until July 4^th.

But for the last five or more years I’ve been taking the plunge in late May; at this rate I’ll soon be hopping in on May Day, fist in the air while humming a couple of bars of James Connolly.

I know what you’re thinking - another tree-hugger railing against rampant capitalism! And don’t you have enough to be worrying about already with the “fake news” daily harassing poor President Trump.

Sure isn’t the man frightened out of his wits with so many lefty lawyers serving suits on him down in Mar-a-Lago. He can’t even show his face in his beloved Trump Towers with bowsies the like of Malachy McCourt and John McDonagh ready to accost him, dare he step outside for a medium-rare cheeseburger.

President Trump makes no bones about it - climate change is a “hoax.” I wish to God he were right – I’d vote for him, and even wear one of his MAGA hats, if he could convince me that the polar caps are not melting to beat the band.

I know, no one you know has ever even seen a polar cap; besides The Jets are still a disaster, and hey, that last trip to the supermarket nearly bankrupted you!

But you do remember Hurricane Sandy, nearly 10 years ago? Sea levels have risen over an inch since then. Might sound like nothing  - until the next big wash comes surging into New York Harbor?

Global warming doesn’t stop just because we don’t give it the time of day. We’re burning fossil fuels like they’re going out of style. This produces large quantities of carbon dioxide that trap heat in the atmosphere leading to extreme and unstable weather.

But shouldn’t we be supporting the coal miners in West Virginia as Senator Manchin says? Of course, but there are only 11,000 left statewide in an industry that bequeathed its employees black lung among other illnesses.  

It would be far more economical in the long run to keep paying these hard working people their regular wage, while retraining them for positions in clean energy industries.

But let’s not be stingy: congratulations to all who helped pass the oddly named Inflation Reduction Bill, for it contained provisions that hopefully will reduce carbon emissions 40% by 2030. But is it too little too late?

The cost of cleaning up our current “natural” disasters is already huge. How many more will surface by 2030?

That’s why it’s important to note local changes and how they’re affecting the environment around us. Awareness may be the first step to both economic and social survival.

In the meantime, there’s much we can do: plant trees, use less heat and air conditioning, walk, bike, ride the subway and buses, reuse and recycle.

But most of all hold your politicians to account. Will they make the tough decisions needed to save the only world we know?

And hey, you Ospreys, shake a wing – it’s a long way to Venezuela and Brazil.

So You Wanna Be An Irish Dancer

 Back where I came from few boys aspired to be Irish dancers. It would have been considered suicidal to trip daintily around the back streets of Wexford in black satin jacket, matching short pants, thick white socks, and buckled shiny shoes.

However, proficiency in the Irish language was compulsory, and to fail the subject in your final exam meant another year spent in high school.

Hence, along with some of my friends, I signed up for a month of total Gaelic immersion in Ballingeary Irish College, West Cork.

A kindly Christian Brother suggested we teenage clodhoppers take céilí dancing lessons before our departure, lest we turn the college ballroom into an emergency ward.

That month was wonderful. We spoke Irish all day, and at nights wowed the young ladies of Cork with our Walls of Limerick/Siege of Ennis steps; some of us even acquired Rebel County girlfriends, and returned to West Brit Wexford changed men.

We all handily passed our Leaving Cert Irish exams, but upon graduation we promptly ditched the dance steps.

Small wonder, The Walls of Limerick were scorned in Dublin dancehalls, while the Siege of Ennis never found a foothold in the moshpits of CBGB and Max’s Kansas City.

But I never lost my fondness for our native music. So when Chris Byrne and I formed Black 47 we set Irish Trad to Hip-Hop, Reggae, and Funk beats. This unholy concoction rang a bell with young Irish-Americans, many of whom had been enrolled in Step Dancing schools by their native-born Irish parents.

We encouraged these dancers to join us onstage and link their steps with our beats. Dressed in the urban styles of the day, they were a sight to behold as they kicked high into the overhead lights.

The pace and general delirium onstage seemed to liberate the dancers, and I began to wonder if something similar had happened to the young Famine Irish in the dancehalls of The Five Points when they cut loose to the music of Irish fiddlers and African-American percussionists.

Fast forward to the musical Hard Times which dealt with the amalgamation of Irish and African-Americans in those downtown dancehalls amid the general social upheaval of New York in the Civil War era. Zestfully choreographed by Joe Barros and Niall O’Leary, this re-imagined 19^thCentury dancing brought audiences to their feet.

Soon after the final Hard Times production in 2013, Bill T. Jones, the renowned American choreographer, joined the creative team of what eventually became Paradise Square.

Bill set out to get to the core of what was going on in both African and Irish dance in that turbulent time, and then interpret it through the prism of American social and political history.

And when we needed Irish choreography that would match Bill’s intensity and innovation, enter Hammerstep, Jason Oremus and Garrett Coleman. Riverdance veterans both, they were also conversant with Break Dancing and Hip-Hop movement.

Being in the room while these three gentlemen birthed the Tony nominated choreography of Paradise Square was a creative experience I will always treasure.

Irish dancing across the US continues to amalgamate with other art forms, and I’m sure there will be many surprises in store. Speaking of which, it’s only fitting to give a word of appreciation to Trinity Irish Dance and Mark Howard who have pushed the Irish Dance envelope for decades.

And if you live within striking distance of New York’s Irish Arts Center, make sure you check out the upcoming collaboration between Seán Curran Company and Darrah Carr Dance.

Sean performed with Bill T. Jones for years and began his career as an Irish step-dancer in Boston, while Darrah, always on dance’s cutting edge, has never lost her affection for Irish dancing.

Céilí is the title of their Masters in Collaboration that will premiere at the beautiful and spacious new Irish Arts Center on 11^thAvenue and 51^stStreet.  Don’t miss this performance and the sparks these two companies will strike off each other.

With an original score by Dana Lyn and Kyle Sanna, one can be sure that it will be a scintillating evening of tradition, spurred by an innovation scarcely imaginable by the tough skeptics on the back streets of Wexford all those years ago.

 

(For tickets and information, irishartscenter.org  Sep 29 – Oct 2, 2022)

Rockin' The Catskills

 One of the interesting things about playing with Black 47 was that I became familiar with so many areas of the USA.  By extension, I got a unique insight into Irish-America.

The biggest reveal was that this vast country has had a very varied impact on Irish immigrants. 

Of course the Irish have exerted a major social and political influence on the USA, yet I never cease to marvel at the difference between, say, the Irish of South Boston and those of South Chicago, or the Irish of Tipperary Hill in Syracuse and their compatriots on Geary Street, San Francisco.

I often thought about such matters around Labor Day Weekend, no doubt because of the intense summer schedule of the band.

Black 47 usually played parts of Memorial Day and Labor Day weekends at The Blackthorne Resort in East Durham, NY.  If you’ve never been up to the Irish Alps (Catskills), you owe yourself a visit.

I actually began playing that area in Gerry O’Shea’s Irish Center in Leeds, NY before I even set foot in the dead center of Irish America, hallowed Bainbridge Avenue in The Bronx.

Talk about two contrasting areas of Irish settlement – one calm and rural, the other urban and turbulent.

No matter the person, the Catskill Mountains seem to have a soothing effect on the most riotous of Irish souls. The Irish who live up there are quite content with their surroundings, and for the most part have no particular desire to return home.

The weekends of Memorial Day and Labor Day in East Durham, however, are as different as chalk and cheese, hence Black 47’s obligations were different too.

On Memorial Day we were hired to get the season swinging with a bang. Our brief was to attract crowds from New York City, Albany, Syracuse, Springfield, and every burg in the Hudson Valley on Friday night, and keep them reeling and rocking through the weekend.

We would play the East Durham Irish Festival on Saturday evening and hurry back to The Blackthorne for a post-midnight 2-hour set.

We would then hop in the van – to hell with sleep – and head for NYC, catch an early flight for Chicago to headline the Gaelic Park Southside Festival on Sunday and Monday.

Though the audiences were equally vociferous and welcoming, yet there was no mistaking that the mosh pits of the Mid-West were more hospitable than those of the East.

That makes sense, for the Irish from Springfield, IL have been shaped by different circumstances than their brethren from Springfield, MA; likewise, the Irish from Ames, Iowa have little in common with those raised in Woodlawn.

By the time we arrived back in NYC on Tuesday morning my foggy brain would be awash in such sociological musings. But with a busy summer playing festivals and beach towns I often wouldn’t have time to make sense of what I’d experienced until we hit East Durham again on Labor Day Weekend.

This was a much more leisurely affair. Occasionally we might speed off for an afternoon gig in Cape Cod or Rhode Island, regardless we’d be back in time to play The Blackthorne at midnight.

Though people still came to East Durham from all over for Labor Day Weekend, less traveled up from the city. Take New York out of any equation and things move at a more leisurely pace.

You had time to talk, and observe the differences between people from Buffalo and Scranton, Albany and Yonkers, Pittsfield and Kingston, Cairo and Catskill.

And you had time to glory in the majesty of the mountains that were but a background blur on Memorial Day.

Most afternoons I’d head off down a different country road, and over the years I found quiet spots where, if you remained still, you could become one with the birds, rabbits, racoons, and the occasional fox who studied you from a distance.

In one abandoned field I used sit on a wall constructed of mossy flat stones built by someone from Mayo or Connemara in a previous century; and as the sun declined in the September sky, I could comprehend what attracted the Irish to these mountains in the first place, and just how much more the place we choose to live in shapes us than we will ever shape it.