Wednesday, 24 September 2014

Pete Hamill - Eugene O'Neill Lifetime Achievement Award


            I’ve become president!

            “Oh, no!” Says Your Man up in Pearl River, “Nightmares do come true!”

            Not to worry, comrade. I inhaled and enjoyed it, so no fear of me moving to new digs on Pennsylvania Avenue.

            As regards my recent elevation, I am merely following in the hallowed footsteps of Peter Quinn and TJ English as president of the Irish-American Writers and Artists, a group forged back during the 2008 election when it was suggested that working class Irish would be too prejudiced to vote for Barack Obama.

            We are non-sectarian, inclusive, proudly progressive and our main goal is to represent and further the aspirations of artists and writers. In case you hadn’t noticed, this is not a good time for workers in general, and is particularly dismal for those laboring in the arts; in fact, when asked about a career in music, theatre or literature my advice is don’t even dream of it without a thorough psychiatric evaluation and a skill that will net you $200 a day.

            That being said the IAW&A is an organization of realists and dreamers who love what they do and support each other. I urge you to come to one of the bi-monthly salons held in Manhattan at The Thalia (95th/Broadway) on the first Tuesday of the month and on the third Tuesday at The Cell (23rd/8th Avenue).

            You’ll witness a minor miracle. Artists of the stature of founding director, Malachy McCourt, read or perform regularly and are often followed by someone making their first public appearance. Both receive rapt attention from full houses. Only members of the organization may present but admission is free to all.

            Membership is less than a buck a week – half that for students - and comes with other benefits, but anyone may receive the weekly newsletter that lists the doings of members, details of opportunities, along with a roundup of artistic happenings in Irish America and beyond.

            Our salons regularly hit the road and have recently visited Philadelphia, Washington DC, and Fairfield, CT while we are in the process of forming chapters in Kansas City and Chicago.

            As regards philanthropy: this year we created the Frank McCourt Literary Prize that went to three students at the Frank McCourt High School of Writing, Journalism and Literature, and we have raised money and awareness for causes as disparate as earthquake relief in Haiti and support for the preservation of St. Brigid’s Lower East Side Church.

            Each October we give the Eugene O’Neill Lifetime Achievement Award at one of Irish-America’s top social event where well-known and aspiring artists rub shoulders with supporters and admirers.

            Previous awardees have included William Kennedy, Brian Dennehy, The Irish Rep’s Charlotte Moore & Ciaran O’Reilly, Judy Collins and John Patrick Shanley.  On Oct. 20th at The Manhattan Club/Rosie O’Grady’s we will be honoring Pete Hamill, the great journalist and writer, and a seanchaĆ­ to many of us.
            
The IAW&A speaks for artists at a time when the arts are being marginalized, unions and community groups derided, and we are encouraged to view life solely through the prism of financial gain. We provide a forum for people who usually toil alone, while at the same time offering the public a chance to experience new work in a lively social setting at no cost.

            For those with a yearning to express themselves through poetry, prose, music, dance, you name it – we’re there for you. My own goal is to encourage the carpenter in Queens who could be the next O’Casey, the nurse in Brooklyn who might be a budding Edna O’Brien, or the late starter in The Bronx with a tale as riveting as Frank McCourt.’s, to realize your potential and help create a community

Hey, come to think of it, Your Man up in Pearl River shows much of the edge of Bob Geldof. Come on down some Tuesday night, man, time for you to strut your stuff in The Thalia or The Cell!

And if you can, let’s get together on Oct. 20th and honor Pete Hamill, reflect on his work and times, and the remarkable influence he’s had on so many of us and our city.

For details of membership, salons and the Eugene O’Neill Award go to http://i-am-wa.org

Monday, 8 September 2014

The Priest and the Fireman



Anyone knocking around Manhattan in those days knew people who perished, but for me it all comes back to the priest and the fireman.

Even thirteen years later I can look offstage and imagine where each would be – Father Michael Judge standing by the bar, impeccably coiffed, surrounded by friends; and Richie Muldowney NYFD, darting around the room bantering with all and sundry, crooked smile lighting up the joint.

Though both are frozen in time they summon up the city as it used to be. For New York changed ineffably on 9/11when the spirits of so many unique people departed. They’ve been replaced, of course, great cities do that, but it’s not quite the same, is it?

I often thought of Mychal as a mirror, he was so empathetic he seemed to reflect your own hopes and fears. I never knew anyone who helped so many people; he was always concerned, forever providing a shoulder. 

I guess he came to see Black 47 to let off a little steam. I’m not even sure he liked our music – his own taste ran towards the more conventional – but the rhythms, juxtapositions and overall message fascinated him and, anyway, he liked to be in the thick of the action. 

Richie was hard-core Black 47. He knew all the words, the players, the other fans. He delighted to show up unexpectedly at out-of-town gigs; the moment you saw him you knew it would be a good night. To think such an irrepressible spark was extinguished so early!

I remember jaywalking across Times Square the first September Saturday the band returned to Connolly’s. The “crossroads of the world” was so deserted in those immediate post-9/11 nights it felt like a scene from a cowboy movie where sagebrush is blowing down the street.

But cops, firemen, emergency workers, the mad, the innocent and those who just couldn’t stay at home needed somewhere to go – to let the pressure off – and that was the band’s function. 

Those first gigs were searing. You couldn’t be certain who was missing, who had survived, who was on vacation, who just needed a break from it all. When a familiar face walked through the door the relief was palpable, someone else had made it. 

The atmosphere – though on the surface subdued - was charged with an underlying manic energy, a need to commemorate, celebrate, to show that life was going on. That would be some small revenge on the bastards who had caused all the heartbreak.

And yet, what an opportunity was missed in those first weeks. That smoldering pit down on Rector Street had galvanized the country. We were all so united; we would have done anything asked of us.

Republican, Democrat, Independent, we all came together as Americans. We would have reduced our dependence on foreign oil, rejuvenated poor neighborhoods, taught classes in disadvantaged schools. You name it - nothing would have been too big, too small either.

But no sacrifice was asked, much less demanded. Instead, 9/11 was used by cheap politicians to get re-elected; patriotism was swept aside by an unrelenting xenophobic nationalism that brooked no dissent. The US was converted into a fortress and the lights were dimmed in the once shining city on the hill. Worst of all, our leaders sought to use the tragedy as an excuse to invade Iraq.

Look at us now, dysfunctional, walled off from each other and the rest of the world. That began when the national will for a positive response was squandered in the aftermath of 9/11.

Though he was finally hunted down, sometimes it seems as though Osama Bin Laden won, for we’ve become a fearful, partisan people, unsure of ourselves, uncertain of our future.

But then I think of Mychal and Richie, their smiles beam across the years and I know that the current national malaise is just a patina that covers the soul of the country – it can be wiped away. It’s not permanent. We have greatness in us yet. 

That’s the hard-earned lesson of 9/11 and will always be the message of the priest and the fireman.